Scholar Social with Dr. Lloyd Sheldon Johnson

Dr. Lloyd Sheldon Johnson has been nationally recognized for his work in diversity, human relations, and education. Professor Emeritus of both Psychology and English at Bunker Hill Community College, Johnson has received many awards and recognitions for teaching excellence. He developed courses in African literature and Middle East literature through grants provided by the U.S. Office of Education. He has been a regular resource faculty member for learning communities at the Evergreen State College in Olympia, Washington. He has led workshops and keynoted conferences for Achieving the Dream, the Atlantic Center for Learning Communities, the Massachusetts Community College Council, and many other professional organizations. In addition to receiving his doctorate from the University of Massachusetts, Johnson was educated at Wayne State University, Antioch University and Harvard University. He has lived and studied abroad, weaving his life experiences into the courses he teaches and the workshops and seminars he develops and leads. For years Johnson was the multicultural specialist at Milton Academy and provided new teacher training for the National Association for Independent Schools (NAIS). A writer and professional actor, Johnson, EQUITY member, has been recognized by his fellow members of both the Screen Actors Guild and the National Association of Television and Radio Artists for his commitment to equal employment opportunities for actors of color and those with physical challenges. Johnson served a three year tenure as a member of the editorial board of the higher education journal, Thought and Action.

Governor Charlie Baker recently presented Johnson with the esteemed Manuel Carballo Award for public service to the Commonwealth of Massachusetts, 2016.

The multidimensional Johnson, a seer-visionary-healer, is a Reiki Master, hypnotherapist, counselor, and teacher. He holds many certifications in New Age modalities and many awards for professional achievements. His research interests include the study of spirituality, the education of urban males, the integration of spirituality into higher education pedagogy, and alternative therapies for health and wholeness. He engages such topical issues as: race and gender, conflict management and resolution, moral and ethical dilemmas in the workplace, violence prevention, recruitment and retention of faculty and students of color, and inclusive counseling and intervention.

Dr. Johnson’s own personal journey of transformation has taken him to many countries in West Africa and Europe. He has lived, traveled, and studied in Cuba, Brazil, many islands of the Caribbean, Singapore, and Thailand. He is a published writer, motivational speaker, and researcher. His workshops and seminars have been described as “powerful and dynamic.” He is committed to bringing fresh ideas and new strategies to the professionals he works with so that they can model and foster “change for transformation.”

Tags:



Black Boston and the Ancestors with Artist, Paul Goodnight and Cheyenne Stringfellow

Join us May 4th directly following the 3pm matinee for an intergenerational conversation about black Boston and the ancestors with artist, Paul Goodnight, and Cheyenne Stringfellow.

Paul Goodnight is a Boston based artist who has developed his own unique aesthetic philosophy to document the humanity of people around the world, often incorporating African themes and symbols to provide depths of history and culture. For his ability to capture these elements and integrate them with sport, Goodnight was selected as the American Sport Art Museum and Archives’ 1997 Sport Artist of the Year. Goodnight has developed a strong and influential following. Former Detroit Pistons point guard Isiah Thomas and actor Wesley Snipes are just two frequent buyers of Goodnight’s work. He routinely sends pieces to the Hollywood Cinema Arts where TV and movie set designers choose artwork for productions. His first break came in 1982 when a print was selected for “The Cosby Show” and he continues to receive acclaim and recognition today. This African-American artist, who specializes in ethnic images, never had it easy. Traumatized by two years of fierce combat in Vietnam, Goodnight returned home mentally devastated. It wasn’t until he looked to his childhood passion of art that he turned the corner to recovery. His hobby quickly turned into a profession after he received his degree from the Massachusetts College of Art in 1976. His creative efforts are nurtured and inspired by several artists.

Paul Goodnight’s artwork currently resides in many institutional and private collections including The Smithsonian Institute and the Hampton University Museum. His artwork is very unique asthetically and typically incorporates African symbols and themes. Paul Goodnight’s art has been influenced by his travels around the world including Brazil, Russia, Nicarauga, China and more. Paul Goodnight currently holds a Bachelor of Fine Arts from the Massachusetts College of Art and received an honorary Masters of Fine Arts from the same institution in 1987. The honorary Master’s Degree was given to him because of his dedication and accomplishments in the wonderful world of art.

Paul Goodnight will be joined by Cheyenne Stringfellow. Cheyenne is a Junior in Belmont High School (BHS) and part of the Performing Arts Company. At BHS, she’s acted in a number of productions, most recently starring as the obsessive pet owner Missy in the one-act play “Dog Lovers”; and Anne from “All My Sons” by the revered Arthur Miller. Alongside being a member of the National Honor Society, she is the Founder and President of the BHS Screenwriting and Playwriting Club, which teaches people how to write scripts for both film and theater. She is currently in Advance Acting and Directing at BHS.Cheyenne love challenging herself. She utilizes her multi-lingual proficiencies, in Japanese and in Spanish, combined with her love for singing by practicing in both languages, so that she is prepared for any performance opportunity that may require these skillsets.Being proactive about her acting, directing and screenwriting future, Cheyenne has sought opportunities outside of the BHS system. For example, she has taken acting classes at Boston Casting as well as had a small role as a Roxbury High School in the ABC Studios Production of “Broad Squad”, a fictionalized account of the graduating class of Boston’s first female patrol officers in 1978. She also participates in Central Square Theater’s Youth Underground Delegates Ensemble, working on constructing a play in May that questions America’s political voting system in an inquisitive and creative way.
Tags:



Black Veterans in Boston with Mary-dith E. Tuitt

Join us Sunday, May 5th following the 2pm matinee for a conversation with Mary-dith E. Tuitt about Black Veterans in Boston: From the 54th and the Tuskegee Airmen to Today. Mary-dith E. Tuitt, “Ms. Mary” graduated from Boston Technical High School in 1985 and entered the United States Navy after 1 year of delayed entry.

Mary served fourteen (14) years as a [AD3] Navy Aviation Machinists Mate, first on active duty and then in the active & inactive Reserves. Mary reached out to the military archive, research on women of color in the USN and in 2010 she received information that as far as the archival research shows she might be the first African American female Aviation Machinist Mate (jet mechanic) in the Navy.

Mary served as former Chief of Staff for State Representative Gloria L. Fox since 2009; she has worked as Constituent Services Coordinator for Boston City Councilor Charles Yancey, providing support to the underserved communities of Boston, and has worked on various political campaigns. Over the years Mary has always been involved and vested in her community.  She has been active with organizations and groups that focus on Veteran and Women Issues; presently serves as Commissioner on the Massachusetts Commission on the Status of Women, Executive Committee member of the National Association of Commissions on Status of Women, formerly on The Boston Veterans Advisory Council, serves as Senior vice Commander at the Wm. E. Carter American Legion Post 16, the Organization of African American Veterans, and former Associate member of the Veterans of Foreign War post 1018.

Mary is a proud mother of two children; a daughter Mya and a son Maliek.

A life-long believer of “giving back to the community” : Mary uses her many skills to enrich, enhance and empower her Community. #positiveimpact #strongwoman #girlpower

Tags:



Artists and Audiences

Join us after the performance for a conversation with the cast and creative team of black odyssey boston.

Tags:



Scholar Social with Dr. Monica White Ndounou and Benny Sato Ambush

black odyssey boston: A unique adaptation. Scholar Monica Ndounou reflects on Marcus Gardley’s project of adapting Homer’s classic, and then further adapting his play to set it in Boston. Director Benny Ambush joins her in a conversation about cross-cultural adaptation, and the particular challenges and rewards of black odyssey boston.

Dr. Monica White Ndounou is Associate Professor of Theater, Public Voices Fellow (2019-2020) and Sony Music Fellow (2017-2018) at Dartmouth College.  She is the immediate Past President of the Black Theatre Association of (ATHE) as well as the convener of The 2018 International Black Theatre Summit at Dartmouth College hosted in collaboration with The CRAFT Institute, a nonprofit organization she founded and serves as executive director.  The organization focuses on fixing broken pipelines into arts and entertainment by overhauling formal training across platforms to more accurately reflect national and global demographics.  In addition to performing a range of roles her directing credits include new works and plays by August Wilson, Ntozake Shange and many others. She is the award-winning author of Shaping the Future of African American Film: Color- Coded Economics and the Story Behind the Numbers. Her current book project, Acting Your Color: The Craft, Power and Paradox of Acting for Black Americans 1950s to the present is part of a multi-media project exploring black American acting theories and practices.

Benny Sato Ambush is a professional SDC stage director, former
Producer/Artistic Director of professional theaters, educator, consultant and published commentator.

Prior artistic leadership experience include: Producing Director – Oakland (CA) Ensemble Theatre, Associate Artistic Director – San Francisco’s American Conservatory Theater, Acting Artistic Director – Providence, RI’s Rites and Reason Theatre Company, Co-Artistic Director – San Francisco Bay Area Playwrights Festival, Director-In-Residence – Manalapan, Florida’s Florida Stage and Producing Artistic Director – Richmond, VA’s TheatreVirginia. He directed at all these theaters. He was Associate Artistic Director of Anna Deavere Smith’s Institute on the Arts & Civic Dialogue at Harvard University – summer 2000.

Other regional directing credits: Old Globe Theatre; Oregon Shakespeare Festival, Portland; South Coast Rep; Alabama Shakespeare Festival; Merrimack Repertory Theatre, Arizona Theatre Company; Magic Theatre; Geva Theatre; Playwrights Horizon; Ford’s Theatre; Philadelphia Festival Theatre for New Plays; Lincoln Center Theater Institute; Heart of America Shakespeare Festival; Indiana’s New Harmony Project; Actors Guild of Lexington; Alaska Theatre of Youth; International Theatre Festival of Chicago; Sacramento Theatre Company; National Black Theatre Festival; Wellfleet Harbor Actors Theatre; all five of the San Francisco Bay Area McDonalds Gospel Fests; New York University’s Graduate Acting Program; North Carolina School of the Arts; Cornell University; Florida Atlantic University; Minneapolis Playwright Center’s PlayLab, North Carolina Black Repertory Company, Lyric Stage Company of Boston, Gloucester Stage Company, The New Rep, TheatreSquared, and NPR Radio.

He has narrated the San Francisco Ethnic Dance Festival twice, and has toured the former Soviet Union and Kenya via the United States Information Agency.

He was Director of the Institute for Teledramatic Arts and Technology – California State University, Monterey Bay’s unique, storytelling-based, multidisciplinary program that integrated production-oriented study in theater production, filmmaking, video/television production, radio production, and new media production.

He has taught at the North Carolina School of the Arts; American Conservatory Theater Conservatory; California State University, Monterey Bay; Colorado College; Kenyatta University – Nairobi, Kenya; Contra Costa College; Brown University; University of California, San Diego; University of North Carolina – Chapel Hill, Florida Atlantic University and Emerson College.

He has served on numerous regional and national boards – including Theatre Communications Group (TCG), has been a panelist and site evaluator for the National Ensowment for the Arts as well as numerous state arts councils and is active nationally in the advocacy of cultural equity, non-traditional casting and pluralism in the American theater. He is a Board Member of the National Theatre Conference and a Steering Committee Member of The Craftsmen of Dionysus: A Society of Acting Teachers.

Mr. Ambush directed the 2005 production of America’s oldest and longest running outdoor drama The Lost Colony in the Outer Banks of North Carolina – its 68th annual edition.

Tags: